Friday 15 May 2015

Evaluation

Final Major Project – Level 6

Evaluation

I feel that this project has been a great learning experience for me.  When I first started the course the last thing that I wanted to do was portraiture because I didn’t have the confidence to sit behind the camera and give instructions looking directly at somebody that is watching me set up equipment.  I wasn’t comfortable with the equipment and nor was I comfortable as a photographer.  I avoided portraiture projects and opted for still life.

As I researched images I found myself drawn towards digital colour photography that reflected culture and was inspired by the images of famous photographers like Steve McCurry and Senol Zorlu, this inspiration gave my work a new direction and I felt more comfortable with it possibly because of my own family cultural background.

I feel that my earlier portrait images really had very little expression and that was purely down to my own lack of confidence as a photographer.  The images were out of focus because I felt that I wanted to take the photograph as quickly as possible and not be seen with a large camera for too long.  I feel that I had to overcome this fear when I was given one of the old manual 6”x4” film cameras, as there is simply no point and shoot with one of those things although it did produce the best images.

For my brief I intended to do portraiture as I felt it was strongly linked to wedding photography and during my assignment I did try this, however, I found that wedding photography was more staged and commercial and because people were dressed for an occasion it changed the whole environment and only reflected wedding culture and was far from portraiture.

I took photographs of women and men of different ages and from different Asian backgrounds but found that people that had originally migrated from villages in India, Pakistan and Bangladesh still had strong traditional values and didn’t want any images of themselves anywhere that would be seen to be disrespectful to them and decided not to look at the camera.  I did initially see this as an obstacle but having thought about it afterwards realized that after all it does reflect a strong culture which is something that I was trying to capture in the first place.  I am now comfortable with the images that I have but feel that I still want to produce more images of a similar nature but with the cultural backgrounds such as the images from Pakistan.

I like new technology and used digital equipment (Canon 6D) for this project using both outdoor natural light as well as flash and also studio lights for the indoor shoots.  I feel that I need to prepare better for outdoor shoots especially when it rains (as it can’t be avoided at all times) and if I am to take on any commercial projects or try and create more creative images by using the weather to my advantage.


Major - Final Image, Beeji

Portrait - Final Image

I think this project has definitely been an interesting journey, this was one of the first portraits I took of a 95 year old Indian lady, she was quite happy to sit and talk about the history of India and Pakistan when it was one country but when asked if I could take a photo, you can see from the images that her slight smile disappeared and her gaze dropped so that she wasn't looking at the camera directly anymore.  This is traditional Asian culture I suppose which has been revealed through my photography work.

I will be using the bottom image as one of my final images.









Major - final print, mum

These are photo's of my mum, for these images I wanted to use a background with similar shades to my mum's clothing as in Senol Zorlu's images (but with the colours not as deep).  I feel that the colours work well together especially with my mum's skin tone.  I like these images as I feel that it shows my mum's serious nature and her clothing reflects her culture so I will be using the bottom one as one of my final images.



Major - final print, Saima

At first I tried to get everyone to look at the camera which seems the natural thing to do when trying to take a photograph but I am coming across more and more traditional people that have migrated from villages in Pakistan and Bangladesh that although comfortable whilst talking still have a traditional attitude about how their public image should look - this being one of respect by women not looking directly at a camera.  I therefore still went ahead and took the photo leaving Saima comfortable with the image that she wanted.  I used this image as one of my final images as it reflects a cultural attitude.




Major - Sadur


I took this image with the permission of this Bangladeshi man, however, as I was focussing and about to take the photo he looked away from the camera, I felt that this was the image he wanted to give.  Another difficulty of me being an Asian woman taking an image of an Asian man, as a sign of respect  some men lower their gaze and won't look directly at a woman.  I suppose this is what you call a cultural barrier.



Major - final print, Raisa


I took this photo of a Pakistani woman very quickly as she was passing and am therefore not too happy with the focus or the framing but when I look at the image I feel that this lady's eyes show depth and curiosity so kept it in my final images.




Major - Final Print, Rehan

Although my portraits were mainly of Asian women, I decided to incorporate this image of an Asian man in my final prints as it is different to the standard portraits and shawl in the image reflects the culture that I was trying to capture in my work.  The colour of the shawl is also quite bold and fits into my theme well.