Friday 21 November 2014

Extra shots - henna theme plate



I arranged various asian henna objects on a plate with a candle to reflect the henna theme, this photo was taken using natural daylight with soft light from the candle, I decided not to use this photo as although the arrangement looked nice I was struggling to get the right angle on the plate that reflected everything and made it look interesting.

Extra shots - henna theme objects



Traditional brightly coloured asian henna/wedding objects arranged against a dark background, it seemed to work well but with all the small mirrors on the objects it was difficult to balance the light and keep the background black

Garlands - henna theme



Extra shots - traditional asian flower garlands used during weddings and functions etc, arranged and hanging displaying bright traditional colours, although the display was colourful the arrangement didn't really stand out or look that interesting to I decided not to use the photo as a final print.

Final print - henna theme



Final print, using traditional decorated tray which is normally used during henna and wedding ceremonies with rice and a candle decorated with henna against a black background and fast shutter speed to capture the candle in the air and give a slightly different effect.

Henna hand painting



I used this as one of my final prints, again this is in line with the henna theme and using a coloured background and natural daylight, inspired by the images of hands which were used in my research.

Final print - candles



Another one of my final prints from the Henna theme, displaying candles against a black background which I think works well as long as the colours are kept balanced

Final print - henna theme


Again working with candles and using the light to bring out different shades of this perfume bottle, this is one of my final prints from the Henna theme and brings together some of the objects that I have studied for my research including glass works and perfume bottles with a slight reflection from the glass table with warmth added by the glow from the candle.

Blogger failure

Site crashed whilst publishing my work and when it started working again, none of my final photo's were being displayed, don't know what the problem is but I am going to have to go over it again and try uploading photographed images through my phone!!!

What a stupid system!!!

Final Print - candles



Sticking to the original henna theme and experimenting with different lighting, this is one of my final prints using only the lighting from the candles

Final Print



Traditional oil painting inspired still life photo using traditional kitchen ingredients with a black background and wood worktop

The National Gallery London



Oranges and Lemons 1960s

Another still art painting at the National Gallery, London
Painting has some areas of light which looks as if it is coming from a window, again items from kitchen arranged and used to create this still life painting from the 1960s.


The National Gallery, London - research and inspiration



Oranges and Walnuts - 177

still life oil painting from 1772 using mainly earth tones, dark background and wooden worktop to display kitchen related objects


Thursday 13 November 2014

Juan Sanchez Cotan - research


Juan Sánchez Cotán (June 25, 1560 – September 8, 1627) was a Spanish Baroque painter, a pioneer of realism in Spain. His still lifes—also called bodegones—were painted in an austere style, especially when compared to similar works in Netherlands and Italy.
http://en.wikipedia.org/wiki/Juan_Sánchez_Cotán



















Its interesting to see how the fruit and vegetables were suspended and made to sit inside a frame for his still life paintings.

Book research - still life



One of my least favourite books on still life, didn't really find it very interesting, the author could have added some images to explain his work or techniques.

Vincent Van Gogh - research still life

http://www.vggallery.com/painting/p_0455.htm


In August, 1888 Vincent van Gogh began painting a series of works which, as Dr. Jan Hulsker suggests "perhaps more than any other of his paintings, have made him known throughout the world. They are often the only works with which he is identified."1 This series is, of course, the sunflowers.
Van Gogh envisioned his sunflower works as a series and worked diligently on them in anticipation of the arrival in Arles of his friend, Paul Gauguin. In a letter to Emile Bernard written around 21 August 1888 Vincent wrote: "I’m thinking of 
decorating my studio with h

alf a dozen paintings of Sunflowers. A decoration in which harsh or broken yellows will burst against various blue backgrounds, from the palest Veronese to royal blue, framed with thin laths painted in orange lead. Sorts of effects of stained-glass windows of a Gothic church." (Letter 665).

Vincent eventually planned a dozen sunflower works to be hung in the Yellow House which he and Gauguin would use for a studio. "I’d like to do a decoration for the studio. Nothing but large Sunflowers. Next door to your shop, in the restaurant, as you know, there’s such a beautiful decoration of flowers there; I still remember the big sunflower in the window. Well, if I carry out this plan there’ll be a dozen or so panels. The whole thing will therefore be a symphony in blue and yellow. I work on it all these mornings, from sunrise. Because the flowers wilt quickly and it’s a matter of doing the whole thing in one go." (666). Unfortunately, Vincent's race against the changing seasons was unsuccessful and he was only able to complete four sunflower works in August, 1888.

Without question, the most valuable resource with regards to insights into the development and execution of Van Gogh's works are his letters to his brother, Theo, and others. In his typically detailed and precise manner, Van Gogh describes the origin of the first three works in this series: I have 3 canvases on the go, 1) 3 large flowers in a green vase, light background (no. 15 canvas), [A] 2) 3 flowers, one flower that’s gone to seed and lost its petals and a bud on a royal blue background (no. 25 canvas), [B] 3) twelve flowers and buds in a yellow vase (no. 30 canvas). So the last one is light on light, and will be the best, I hope." [C] (666). A few days later Vincent writes in Letter 668: "I’m now on the fourth painting of sunflowers. This fourth one is a bouquet of 14 flowers and is on a yellow background."[D]

The four works mentioned above are noted as "A" through "D" and further details are shown in this table below:

  Name Medium F JH Location
A Three Sunflowers in a Vase Oil on canvas 453 1559 Private collection
B Still Life: Vase with Five Sunflowers Oil on panel 459 1560 Destroyed by fire
C Still Life: Vase with Twelve Sunflowers Oil on canvas 456 1561 Munich, Neue Pinakothek
D Still Life: Vase with Fourteen Sunflowers Oil on canvas 454 1562 London, National Gallery

After Van Gogh's mental breakdown late in December in 1888, he would go on to paint three additional copies (F 455, F 457, F 458) of the original four sunflower works.


Quotes in Letters


"You know that Jeannin has the peony, Quost has the hollyhock, but I have the sunflower, in a way." (Letter 741)
"Thinking like this, but very far off, the desire comes over me to remake myself and try to have myself forgiven for the fact that my paintings are, however, almost a cry of anguish while symbolizing gratitude in the rustic sunflower. " (Letter 856)

Dutch - still life




Dutch still life paintings of objects and depicting status and lifestyle
Using mainly earthly tones which blend together beautifully

Pieter Claesz

File:Pieter Claesz 002b.jpg

Still Life with cultural influence

I found the following images when I searched for cultural still life, I like the strong bold colours and the objects clearly reflect culture, its definitely something that I will consider for my project.  The image with the women playing the Indian drum is something that I am considering for my major project.

Image result for indian women dholki











































Still Life - composition, black and white

The following photographs are made much more interesting by the way that the items are placed, its also interesting to see how the light is used to light up mainly the bottom of the fruit which adds to the appeal of the photograph and even though the photograph is in black and white, it works really well.







research, camera angle



I think the angle of the object is really important in this photograph, as it makes it much more interesting to look at, the dark shadows and light from one side make it look creepy





candles - research


More images of candles, this time just on their own, but its interesting the way that the lights have created a pattern from the shadows by placing them well


lit candles in the dark


candles, soft lights - research


Fresh coffee with bokeh lights background.



Stock Photo titled: Colorful Candle Lights Still Life. Spiritual And Religious Concept. November 25 2006 Day Of Remembering Victims Of Famine. Kiev, Ukraine, Eastern Europe, unlicensed use prohibited



I really like the use of candles and soft light in the photos above as I feel it adds a festive spirit to the photographs and gives them warmth

close up still life - plants, fruit, research




Images of fruit and plants can also look good on a white background simply on their own, the photographs above were taken using flash with soft boxes to avoid any harsh shadows.

Glass sculptures - research

Still Life - Oil Lamps
Still Life - Glass Lights

I really like these images of glass sculptures, and though some still life photography uses space to emphasise objects and draw your attention to them, this on the other hand covers the screen and still manages to make the object interesting



Research



This is good book to read if you are thinking about still life photography, helps you think about the image, the space and composition as well as a brief insight into the styles of different still life photographers.

Robert Mapplethorpe, Lucinda's Hand 1985 - research



I have been looking at the work of Robert Mapplethorpe, who was an American photographer mainly known for his black and white work which included portraits and some still life.

I like this image of  'Lucinda's Hand' (1985) as it really stands out against a black background, the image itself is very strong which is probably because of the way its posed.

It reminds me of images that I have seen for promoting henna hand painting.

Wednesday 14 May 2014

Villain theme

Madonna Louise Ciccone is an American singer-songwriter, actress, and businesswoman. One of the most prominent cultural icons for over three decades, she has achieved an unprecedented level of power and control for a woman in the entertainment industry. She attained immense popularity by pushing the boundaries of lyrical content in mainstream popular music and imagery in her music videos, which became a fixture on MTV. Madonna is known for continuously reinventing both her music and image, and for retaining a standard of autonomy within the recording industry. Music critics have praised her diverse and innovative musical productions which have also been known to induce controversy. Cited as an influence amongnumerous artists around the world, she is often referred to as the "Queen of Pop".
http://en.wikipedia.org/wiki/Madonna_(entertainer)

I used Madonna as a villain theme - this is purely because when Madonna started her career, her lyrics and dress sense offended people especially her song 'Like a Virgin' as people felt that it promoted premarital sex and undermined family values.
In April 1990, Madonna began her Blond Ambition World Tour, which was held until August.[70] Rolling Stone called it an "elaborately choreographed, sexually provocative extravaganza" and proclaimed it "the best tour of 1990".[71] The tour was met with strong reaction from religious groups for her performance of "Like a Virgin", during which two male dancers caressed her body before she simulated masturbation.[50]The Church of England and the Catholic Church criticized her performance and the Pope asked the general public and the Christian community not to attend the concert.[72] A private association of Catholics calling themselves Famiglia Domani also boycotted the tour for its eroticism.[73] In response, Madonna said, "The tour in no way hurts anybody's sentiments. It's for open minds and gets them to see sexuality in a different way. Their own and others".[74] The Laserdisc release of the tour won Madonna a Grammy Award in 1992 for Best Long Form Music Video.[75]http://en.wikipedia.org/wiki/Madonna_(entertainer)
Madonna's music videos contain offensive religious content and videos on you tube even claim that she 'worships satan'.
Madonna is the most successful female recording artist of all time according to The World Guinness Book of Records.
Madonna is also an actress and a business woman but I think she will always be remembered more for her music and bold style.

I really like Madonna's music and one of my favourite songs is 'Frozen', I like her sense of style in the video and therefore decided to copy her style as a villain.  

I used the following images as a guide: